Rome, the Eternal City, is about to embrace a cultural renaissance, and it's all happening at MACRO—the Museum of Contemporary Art of Rome. Prepare for a reopening like no other!
On December 12, 2025, MACRO will unveil a bold new era, guided by the artistic prowess of Cristiana Perrella. But this isn't just a simple reopening; it's a transformative journey into the heart of Rome's dynamic culture. The museum aims to become a living, breathing entity, mirroring the city's pulse and its ever-evolving nature.
Here's the twist: Rome isn't just a backdrop for this artistic revival. It's the star of the show! The reopening program treats the city as a dynamic force, shaped by grassroots movements, emerging voices, and artistic practices that defy traditional boundaries. And MACRO is ready to tell Rome's story to the world through its international connections.
But here's where it gets controversial: Four exhibitions will debut simultaneously, each offering a unique perspective on the city's cultural evolution. UNAROMA, curated by Perrella and Luca Lo Pinto, showcases the vibrant, intergenerational art scene through a cinematic lens. Imagine a green screen transforming the museum into a dynamic set, featuring over seventy artists. This exhibition expands across the museum and even spills out into the city, engaging independent spaces in a collective artistic endeavor.
Next, dive into Rome's electronic music history with 'One Day You'll Understand. 25 years from Dissonanze'. This exhibition brings the past to life, reconstructing the festival's impact on the city's social fabric. But it's not just nostalgia—it's an exploration of Rome's ability to embrace and evolve with experimental art.
And this is the part most people miss: The story of Brazilian nuns who found refuge in Rome after facing persecution is brought to life in Jonathas de Andrade's film, 'Sisters With No Name'. This commission weaves together history, activism, and the connection between Brazil and Rome.
'Inhabiting the Ruins of the Present' takes a thought-provoking look at Rome's grassroots regeneration. It explores how environmental and social challenges have given rise to innovative forms of urban living, turning 'ruins' into spaces of possibility.
The reopening also introduces Cine-città, MACRO's new cinema program, showcasing Rome's contemporary film scene. From emerging filmmakers to iconic directors, the city's cinematic identity takes center stage.
As the museum reopens, it becomes more than just an exhibition space. It's a hub for cultural exchange, dialogue, and imagination. Cristiana Perrella's vision is to create a MACRO that is as multifaceted and vibrant as the city it calls home.
What do you think about this approach to cultural programming? Is it a refreshing take on museum experiences, or does it risk diluting the focus? Share your thoughts on this exciting chapter in Rome's cultural journey!
